Red Tape Valentine: Robert L. Oakes and Marti Lyons

Robert is a founding member of Red Tape and also serves as the board president. Rob has been in numerous Red Tape productions, and adapted Henrik Ibsen’s An Enemy of the People for Red Tape in 2009. He is currently performing in Church/ Pullman, WA. Marti is a talented director and the Literary Manager at Lookingglass Theatre Company. Rob and Marti met last season when Marti directed Rob in the Fresh Eyes Project. From there they spent a taxing, cold, strange night working the box office for CFANN 2010, and the rest is history. Marti will be directing our upcoming production of Tragedy: a tragedy this spring.

"To my Valentine, Marti Lyons, who inspires me to be the best artist I can be!"- Rob
"A poem: Happy Valentine's Day my dearest Reverend Jose"- Marti

Ensemble Member Robert L. Oakes and Marti Lyons- 12 months and counting

Hang out with Red Tape on Industry Night
Monday, February 14 at 8:00
After party at Wilde
Tickets: http://www.redtapetheatre.org/ , code: mermaid

Chiaroscuro Mouse

“‘s not a game’s a plan not like you’d understand. Jerk.”

When I first heard Mouse in a Jar almost a year ago, what struck me was the playwright’s visceral application of language and image like “a scene told in chiaroscuro.” I felt plosives, guttural vowels and words repeated ‘til they were gibberish. And each of these utterances seemed to further my understanding of the complex relationships between the characters. In that initial encounter, I experienced much more through the implicit meaning rather than explicit meaning in the dialogue. I wasn’t surprised then to learn that the playwright, Martyna Majok, is also a poet.

In Mouse, images are fragmented by language and experienced in surprising ways. Soldiers are “boots” or “Men With Boots.” A daughter recalls life before she had a mouth or her eyes had met. “Boots kick out the lights,” she says. Martyna’s sophisticated use of metaphor is as moving as it is unexpected. And these image-fragments accumulate as Mouse bursts with connotative expression.

Her use of repetition strips away explicit meaning until there are only consonants and vowels and the tension between people. In the opening scene, the word ‘peel’ is used six times in six lines, saying more about what the characters are doing to each other, rather than the act of preparing food. The same is true of the word ‘jerk.’ Through brute repetition, words transcend their meanings and become little primal utterances of unmet emotional needs.

There is much to admire in the sheer vitality of Martyna’s language. It is language which demands to be expressed in more than words. I’m very excited to see, that after almost a year, Mouse is finally being realized in a full theatrical production with Red Tape Theatre.

Rob Oakes
Company Member

Mouse in a Jar runs October 5-31, 2009.
Tickets are available through our website.

Robert Oakes on Adapting Ibsen

We asked Red Tape Ensemble Member Robert L. Oakes to discuss his reasons for adapting Henrik Ibsen's Enemy of the People.

There are a several reasons I chose to adapt this play. First, was the sense that the play had not aged well. In spite of being dramatically compelling, it seemed to lack the psychological weight of some of Ibsen's other scripts.

Second, was a desire to re-imagine the play in a contemporary setting. How would the themes and ideas of script be realized in a contemporary context? And how could those themes and ideas be presented in a way that was compelling and dramatic for a contemporary audience.

Third, was the desire to re-imagine Dr. Stockmann as an Ibsenian woman. I some respects, I think Dr. Stockmann is the woman character Ibsen would write if he were alive today: feminine, intellectually powerful, emotionally independent and deeply conflicted.

Lastly, there was one particular aspect in the original script which I felt needed to be developed and that was the relationship between the two siblings. What does it mean to this story if those two characters actually love each other?

Robert L. Oakes

Enemy of the People runs May 4-30,
Tickets are available through our website.